As the month comes to a close, I thought I would share some of the praise Queers Destroy Fantasy! has received from reviewers. I suppose I won’t sound impartial if I say it’s well-deserved, but, in all seriousness, this is a killer issue, featuring some excellent stories and truly gorgeous artwork, and I’m honored to be in such good company.
Over at Quick Sip Reviews, Charles Payseur says of the issue, “These are stories of longing and love, violence and tenderness. They are not about queerness so much as they let their queerness subvert and, yes, destroy.”
Lois Tilton at Locus, calls Queers Destroy Fantasy! “a superior issue in this series, definitely the best of them I’ve seen.”
Bridget McKinney, writing for SF Bluestocking, agrees, saying: “Queers Destroy Fantasy has, hands down, the best fiction in any of the Destroy issues so far.”
David Steffen also reviewed the issue of PodCastle featuring my story from QFD!, “The Lady’s Maid”, at SF Signal.
I’m delighted beyond words to say I have a story, “The Lady’s Maid”, in Queers Destroy Fantasy!
I’m pleased the story’s found a home in such a great series, and in good company, too: there are stories by Catherynne M. Valente and Caitlín R. Kiernan, among others, as well as bunch of great essays from the likes of Keguro Macharia and Ellen Kushner, and some truly gorgeous artwork.
You can purchase the issue (digital or print) at the link above, or you can listen to a free audio version of the story, released by PodCastle. It’s read by Kim Lakin-Smith, with a lovely introduction from Keffy Kehrli, editor and host of the Glittership podcast.
Ursula K. Le Guin is featured in the most recent issue of The Paris Review‘s, being interviewed for their The Art of Fiction series. It’s well worth a read, but I’ll just give you this little snippet for your consideration:
Realism is a very sophisticated form of literature, a very grown-up one. And that may be its weakness. But fantasy seems to be eternal and omnipresent and always attractive to kids.
In case you haven’t heard, The Golden Key will soon be open to submissions for Issue 3, the theme of which is: